EVERYTHING WAS FOREVER, UNTIL IT WAS NO MORE

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EVERYTHING WAS FOREVER, UNTIL IT WAS NO MORE – książka towarzysząca wystawie Konrada Smoleńskiego o tym samym tytule, która miała miejsce w Pawilonie Polskim na 55. Biennale w Wenecji (2013).

Format 17×22,5 cm, stron 231, liczne ilustracje, twarda okładka.

Stan bardzo dobry (znikome otarcia okładki).

Publikacja w języku angielskim.

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Nota wydawnicza:

Konrad Smoletiski, an active participant in both the independent music scene and the visual art scene, blends punk-rock aesthetics with Minimalist precision. This book reflects on the artist’s practice in the context of „Everything Was Forever, Until It Was No More„, his most challenging and conceptually complete effort to date. This monumental sound sculpture affecting not only aural perception, but also working on the audience on, so to say, a molecular level, brings together many of the motives previously present in Smoletiski’s works.

The sublime and symbolic tone of bells is transformed into the source of an overwhelming drone which works almost like a sonic weapon. A human and narrative level is juxtaposed with an inhuman noise that suggests an accumulation of energy that will never achieve discharge. The installation, by means of noise and the illusionist potential of sonic waves, enables the viewer to enter a chamber where history is inhibited and time dies.

An essay by Daniel Muzyczuk and Agnieszka Pindera — curators of the exhibition — interprets the work with the use of theories from the fields of physics and sound art, and relates it to previous pieces by the artist. This commentary is complemented by those of specialists from different fields of knowledge who explore multiple aspects of the piece. Among them are: Julian Barbour, Simon Critchley, Craig Dworkin, Alexandra Hui, Eugeniusz Rudnik, Thibaut de Ruyter and Andrey Smirnov.


ISBN: 8360713804

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